Aug 20, 2013 | Adventures of Rear-Mirror Rissy, North Tide |
Check out the hands of real berry-pickers!
Earlier this year, I made up my mind that I was going to pick berries – whatever it took, wherever I was, whatever weather! And luckily for us up here in the north, this Summer has been one of the best in recorded memory! I picked soap berries in Whitehorse, Huckleberries in Haines, nagoon berries in Juneau and raspberries and blueberries in Hoonah! I make my fortune by making myself fortunate in taking advantage of the fruits of our land — golly, and imagine all the berries that are out there that never get picked!
Wayne and Cherri Price, Teahonna James and Clarissa Rizal enjoyed an afternoon of picking huckleberries up a mountain on the other side of the Chilkat River in Haines, Alaska
Always pick berries with friends and relatives. Never go alone. Remember: we have bears who feast on berries just like we do at this time of year. Even though we see them as relatives, bears are much bigger and stronger than us and therefore, we must respect them, right? Right.
Tim Ackerman always comes prepared with his chainsaw in the back of the truck; never know when you’ll come across a fallen tree on the narrow dirt road to the mountainside berry patches. Wayne Price helps set aside the logs (that will eventually become somebody’s firewood).
Soapberries are named according to the high amount of saponin content — the chemical compound that makes the berries foam up when whipped or shaken with water.
We do not have soap berries in Southeast Alaska, so I never picked them. I remember my grandmother and mother would receive a precious jar of soapberries during a potlatch; it was always a prized possession. In fact, so prized that I was given a tiny jar of soapberries from a potlatch that I attended about 5 years ago – I still have it; never opened. I told myself that I would never open it until I meet the soapberry and pick ’em myself – I had this chance back in July – I picked all I could in a short amount of time and hand-carried it on a plane to my friend in Hoonah in honor of her mother who had recently passed.
Vanessa Morgan picking soapberries along the woodland path outside of our campus apartment in Whitehorse, Yukon Territory
Nagoon berries are the bestest berry in the world! They grow in open boggy fields in the northern part of Southeast Alaska — nagoon berry pickers do not let out where their special patches of berries are located – if so, then you must be someone very very very special – so take heed to those three people to whom I let my secret!
The “cloud berries” of Yukon, if I am not mistaken, seem to be a relative of the Nagoon, but do not quote me on this. These berries are generally the last berry to harvest, ripening in mid to late August. However, the berries are all in a bumper crop this year which of course puts stress on us berry pickers. The raspberries, nagoons, blueberries, and thimble berries are all ripe at the same time!
Washed and cleaned Nagoon berries hold their shape
The fragrance of the nagoon is like nothing else, just like its flavor. If you’ve never had nagoon, if you’ve never even picked a fresh nagoon from it’s habitat and popped it into your mouth, you have not yet lived!
Two 2-qt buckets were filled in 3 hours during hot muggy weather
What do we do after an afternoon in the nagoon-berry bogs? Wash up in a river beach!
Aug 18, 2013 | Adventures of Rear-Mirror Rissy, Honoring Others, North Tide, Tlingit Culture Accentuated |
The making of the traditional dugout canoe at Cherri and Wayne Price’s porch in Haines, Alaska
How many of you know, or know of, the carver/silversmith/boat builder/hunter Wayne Price? Do you know where he lives? Have you ever taken a class from him? Have you met his wife, Cherri? Or met any of his friends or students or family? It’s time to meet him.
The Price House is always hopping with visitors coming and going – I’m not sure how Wayne gets his work done! And both he and Cherri are always accommodating; they generally drop what they are doing and will converse with you. (They sound like the way I am but I am trying not to be that way to the degree I was else I cannot get my work done!) Here they share their dry fish with Crystal Rogers, Jim Simard and Teahonna James
The Price House: …so I like to help them out in whatever way I can…in this instance, when I caught Wayne and Cherri talking about loading the firewood into the basement, I immediately volunteered the weavers Crystal and Teahonna and Lance Twitchell’s brother to help out…! The community has got to be reminded now and then to “give back” to Wayne and Cherri and it starts with each and every one of us who have benefited from their hospitality !
The Price House: Meagan Jensen looks over Teahonna James weaving the closure of her circle.
The Price House: William Wasden, from Alert Bay, B.C., sings songs from his neck of the woods, while Wayne tends to the fire, the weavers weave and the rest of us listen, watch and take in the scene!
Read more about Wayne and Cherri Price on their website; click here to the link. And when you are in Haines, stop by and say hello – let him know I sent ya!
Aug 10, 2013 | Adventures of Rear-Mirror Rissy, Class Act, Ravens & Eagles, Tlingit Culture Accentuated |
R to L: Darlene See (Hoonah), Alison Bremner (Yakutat) and Joe James (Angoon) review classroom kits designed to teach K-5 students to recognize the interpretation of Tlingit designs
For a week August 5 through the 9th at the Juneau Arts and Culture Center (JACC), Sealaska Heritage Institute’s Jineit Academy, the Juneau School District and JACC sponsored 9 school teachers and 9 Tlingit artists from Southeast Alaska to collaborate with one another to design classroom kits for school teachers to use to teach Tlingit form line art in grades K-12 to be used throughout Southeast Alaska. The intention of this week-long seminar is to educate and upgrade the standards of Tlingit form line art.
Artists and school teachers — L to R: Clarissa Rizal, Konrad Frank, Nicole Demmert, Pauline Johnson, Allie High, Arlene Wilson, Jay Watts, Glenda Lindley, Joe James, Darlene, See, Linda Churchill, Alison Bremner, Susan Nachtigal, Della Cheney, Justina Starzynski, Shgen George, Michelle Martin — James White is not pictured
School teachers received a crash course in learning how to draw Tlingit form line and the Native artists learned skills and strategies in teaching form line art in the schools. Invited artists came from Angoon, Kake, Wrangell, Yakutat, Hoonah, Juneau and as far away as Seattle. School teachers came from as far away as Anchorage. This week-long, intense training course is one of the first of its kind.
One of several example kits (used in the Juneau Public Schools), reviews the learning the ovoid
During our introductions on the first day, we realized that none of us knew what we were getting into. We were not clear of the intention of the course; we just filled out the one-page paperwork a month prior to the event questioning us if we had ever taught in the schools and where we learned our form line art, and figured okay, what the hey! So it’s just like artists to fly on a wing and show up, not knowing what the heck we’re getting into — it’s another adventure! And what an adventure this one was: an experience of a lifetime.
Konrad James explains to the class the kit his group reviewed – Instructor Heather Ridgeway stands in the far right listening to our observations
Enthusiastic Heather Ridgeway formed us into groups of two or three to review classroom kits that have been used in the school system for several years. These kits were examples that helped us learn how to design and implement our own kits that we would create to teach students form line art and refine their art each year so that by the time they reach high school, they are well-versed in thought and hand, how to create a successful Tlingit design.
Academy coordinators Shgen George and Shaadootlaa Hanlon provide guidelines on how the artists and the school teachers will begin to collaborate on the creation of new kits that will teach K-12 students the formline art of the Tlingit
There were so many things we artists learned during this week; and the great part about this seminar was that it was actually fun! We had so much fun thinking, thinking, thinking for 8 hours, that by the end of each day at 5pm we were exhausted. I, personally, can CREATE for 8 hours no problem, but to THINK for 8 hours non-stop, holy, that’s a lot of WORK! — no wonder why teachers cannot do anything else in their 9 months of work other than teach; their creative work is in teaching others how to learn! By the end of this seminar, my appreciation level for teachers in the schools sky-rocketed.
Former-school-teacher-now-Teacher-Trainer Lynn Williams explains one of the strategies used to keep children’s attention and to complete their projects
Teacher Coach, Lynn Mitchell reviews each artist group who begin creation of a new kit
Pauline Johnson (artist) and Glenda Lindley (teacher) collaborate on kit designed to teach a Kindergartener how to identify ovoids in form line art
Juneau school teacher and artist, Shgen George teaches the school teachers a step-by-step process of the basic fundamentals of Tlingit form line art – several of us artists wanted to sit in on the class!
James White (teacher), Nicole Demmert (artist), and Jay Watts (teacher) hash out the details of how the kit instructions will be explained to the school teacher who will use this kit to teach her students form line art – while James does a test piece on his proposed kit using clay
Ask Della Cheney what she thought of the whole concept of Tlingit artists and public school teachers coming together to assist one another in teaching Tlingit form line art to K-12 students: De-light-ful!
Click here to read the Juneau Empire article. Thank you for your interest.
And thank you to Shgen George, Shaadootlaa Hanlon, Davina Cole, and Annie Calkins who helped organize this event.
Thank you to our teaching instructors: Heather Ridgeway, Lynn Mitchell and Roblin Gray
Gunal’cheesh!
Aug 4, 2013 | Adventures of Rear-Mirror Rissy, Class Act, Honoring Others, North Tide, Tlingit Culture Accentuated |
Flanked by Crystal and Clarissa’s Chilkat weaving looms, Teahonna James weaves on her Chilkat headdress in the upstairs room of the Sheldon Museum in Haines, Alaska
The Sheldon Museum, though small and cozy in comparison to many museums about the country, has quite the collection and display on Chilkat weaving. In fact, for the first time ever, the weaving exhibit included Tlingit language weaving terms! I have posted them on a separate blog entry; click here to the link.
Teahonna quietly weaves in the room surrounded by “artifacts” – yet to us, they are “relatives” – they are “related” to us in some form or another, whether it be a tool used by our ancestors, or a map carried by a visitor, or a robe woven by our teacher – there is relativity to us
For several years, I thought it a good thing to learn to speak the weaving terms in our Tlingit language. I wished I had asked Jennie to teach me the weaving terms but I was too young to even know what to ask. I watched a documentary on a dugout canoe carved on an island in Lake LaBarge in the Whitehorse area; at one point during the completion ceremony of the canoe, Lance Twitchell a young speaker of Tlingit who taught himself the language not even 10 years ago, who is now an assistant professor at the University of Alaska Southeast, spoke so eloquently in our Native tongue that even though I didn’t know what he was saying, hearing the language in that moment immediately brought tears to my eyes – he spoke as if he were an elder who has returned to us only to find remnants of a language almost obliterated and he alone with a couple of others are working hard to bring it back. Lance looked as if he carried this “weight” upon his shoulders. In that moment, I told myself that when I return to Haines and live there, I will learn my language, and I will begin with the weaving terms so that I may teach it to my students.
Do all Chilkat weavers have long hair? Many do. Clarissa and Crystal have kept their long hair – a trademark of many Tlingit women before the Westerners arrival.
The two Chilkat robes in the background were woven by the last of the traditional Chilkat weavers, the late Jennie Thlunaut; and to the left of the robes, the Ravenstail robe was woven by Lani Strong Hotch from Klukwan
In the left behind Crystal and Clarissa, the small child-size Chilkat robe was woven by Jennie Thlunaut – come to think of it, this may have been her very last Chilkat robe before she passed in July 1986
Because of such beautiful, warm weather, we agreed to demonstrate weaving nearby the totem pole carvers on the last day outside the front entrance to the Sheldon Museum
Nathan Jackson (r) visits Jim Heaton, the master carver of this particular pole (who isn’t pictured but standing to the left), and sculpture artist Matthew Hincman – in the background are singer/composer William Wasden from Alert Bay, B.C. and leader/singer/drummer of the Dahka Kwaan Dancers from Whitehorse, Y.T., Marilyn Jensen
Except for the Swiss-made chisel, these are hand-made carver’s tools
Teahonna spinning warp – She is trying to meet her goal of 300 yards of Chilkat warp so she too can begin weaving a child-size Chilkat robe.
L to R: William Wasden, Marilyn Jensen, William’s nephew Mark, Clarissa Rizal, Crystal Rogers, Matthew Hincman, Megan Jensen,Jim Heaton, Jim’s carving apprentice Joe (?), Nathan Jackson, and Jim Simard
On the last day of our demonstration, there suddenly was a congregation of familiar visitors and friends who “happened to be in town” – at our request, William Wasden sang a couple of compositions in honor of weaving and in honor of the carvers, especially in honor of local master carver, Nathan Jackson.
After a wonderful last day, we wished we had been demonstrating our weaving outside the other two previous days; we wondered how many other folks we would have reached had we been more exposed.
We wove outside way past the Museum’s closing hours until the sun went behind Mt. Ripinsky
Chilkat weaving has become a way of life. I see how it has shaped my world views, my connections to people, places and things; it has even made me philosophize more so than ever! haha! I see all the relativity of things via Chilkat. It is something that I want to share with our people. As with all of us, our time here is limited. I am a busy woman, constantly. I am one of a few who makes the time and energy to teach our women. I want to help bring up the standard of internal living within the minds and hearts of our women. I have experienced the gift it has brought me and how it has changed me internally. Chilkat weaving provides an internal strength I had no idea existed. I want our women to experience this internal strength. When we strengthen our women, we strengthen the bond of our relationships. If during her status as a Chilkat weaver that her relationship with her partner goes awry, possibly the integrity of her partner did not match with the strength of Chilkat weaving. When we strengthen the woman, it is like a rippling effect; the power moves out like a water dropping into the ocean…the weaving strengthens the relationship which in turns strengthen the family unit which in turns strengthens the community, which then strengthens the nation…and the world!
Thank you to my apprentices, Crystal Rogers, Teahonna James, Vanessa Morgan, and the new “groupie” Stefanie Sidney, for coming along for the “ride” – it’s been quite the experience and treat! Let’s do this again! Truly, what would a teacher be without her students?
Jul 29, 2013 | Adventures of Rear-Mirror Rissy, Tlingit Culture Accentuated |
Jackie Kookesh wraps red willow shaping her first fish trap
There are a variety of activities held during Teslin’s Kus Te Yea Celebration; these include the sharing of songs and dance through the various dance groups from Whitehorse, Carcross, Atlin, Teslin and other towns about Southeast Alaska (i.e. Yakutat!), a hearty breakfast and nightly feast for each of three days open to all who attend, an artist market, a food market, a tent just for stick-gambling, artist demos and classes, but also the hands-on making of the practical things like fish traps, fish-fileting, smoking moose hide, cedar hat making, Chilkat and Ravenstail weaving, and of course, frying bannock!
Glued “sinew” hold the ends of the fish trap
I’ve just included a few photos to show you what you missed. Teslin’s Celebration is held during the third weekend in June on the “off” year from Juneau’s Celebration. There’s no excuse for not attending. Mark your calendars now for June 2015. This is not a commercial venue, you need not pay to attend, although you can spend as much money as you want at the Cultural Center’s gift shop and at the artist market!
Nearly completed fish trap
Margaret checks her time on smoking moose hide
Margaret uses cedar chips to start and fuel her fire…
Pine cones are burned to smoke the moosehide giving it a medium reddish-brown color – orange peels were burned to create a burnt orange color of the moose hide. For those who don’t know, moose hide is an off-white color before it is smoked.
Benjamin Scheifelman, carver and metalsmith from Teslin, demonstrates the creation of a copper T’naa pendant
One of Ben’s students hand-pounds texture into the copper
A few tools of copper-smithing
Carver silversmith Wayne Price from Haines, Alaska demonstrates the next step in carving cedar dance paddles
Wayne demonstrates “shaving” the paddle for young student
A fine sealskin roll-up satchel houses Wayne’s carving tools
- Nothing quite like the inland Tlingit bead workers in leather
Fresh, friend bannock for the evening’s community feast!
Jul 29, 2013 | Adventures of Rear-Mirror Rissy, North Tide, Tlingit Culture Accentuated |
A dugout canoe on the shores of Teslin Lake, Yukon, created in 2009 by a group of First Nations carvers from the Whitehorse area of Yukon under the guidance of master carver, Wayne Price from Haines, Alaska
Juneau photographer Ron Klein, directs everyone for a beautiful photo shoot.
A beautiful sunny afternoon for a group photo!
Close up…!
Lots of elders
Still more elders…!
Shaadootlaa!
Debra Michel and Wayne Carlick from Atlin, B.C.
The fiberglass canoes…beautifully, colorful and quiet on the shores of Teslin Lake
Jul 29, 2013 | Adventures of Rear-Mirror Rissy, Class Act, North Tide, Tlingit Culture Accentuated |
The “weavers’ cabin” during “Kus Te Yea” Celebration 2013 in Teslin, Yukon Territory
I had told the weavers about the Kus Te Yea Celebration 2013 in Teslin. This biennial event is held in the odd-numbered years from “Celebration” sponsored by the Sealaska Heritage Institute held in Juneau, Alaska in the even-numbered years. This is 2013; the odd year we’ve been waiting for; time to head to Teslin!
We knew that we wanted to attend the event, we just didn’t know where we were going to stay since none of us brought complete camping equipment, although we were ready to get additional equipment and camp out if we had to just like everyone else! However, a week before Celebration 2013, we were invited to come out and demonstrate; – they had a space all ready for us as if they were expecting us to come! We checked out of our comfy apartment in Whitehorse closing up that part of our Weavers’ Tour (click here if you missed the Whitehorse story) and were up for another adventure!
Looking through the screen windows at a lovely weaving scene!
The cabin designated for the weavers to demonstrate is an uninsulated wooden shell with screened windows without glass. We removed the wooden shutters for added light, air, view and ambiance! There are “skylights” and all of us just jumped with joy – what a perfect place to weave! And all our very own for three whole days!? Wow! Thank you Kus Te Yea organizers for our very own space!
Jackie Kookesh and Ricky Tagaban share spinning techniques while Teahonna James sets up her table-top weaving loom
Immediately the very first day just as we were setting up, Ricky Tagaban and Jackie Kookesh surprised us – we didn’t know they were coming! Also others from a couple of years ago returned: Dan Shorty and Tatiana (?), and two others whose names have slipped me. Pretty soon we had four people spinning and four people weaving. Fun!
Vanessa Morgan explains to her audience how she first got involved in Chilkat weaving and the design story of her child-size Chilkat robe
Crowds of visitors, far and near, visited us. One of the most rewarding things about demonstrating Chilkat weaving is to provide the visual, tactile information about the amount of work involved in just preparing the materials BEFORE you begin to weave. Demonstrating educates the general public (and even our own people) about the spinning process as well as the actual weaving. I am delighted when visitors are amazed at how we spin the warp on our thigh. No matter what age, they are always shocked. So much fun.
Crystal Rogers listens to Chief Dan (from Carcross, Y.T.) tell a story pertaining to weaving in his family
Also, it is an educational experience for us as various individuals who come to see what we are doing; more often than not they have a story to tell in regards to a relative or friend who was (or currently is or wants to be) a weaver. Or they tell us a story regarding an old robe and how it was sold, or how it disappeared or how much it cost when it sold. We hear many, many stories from our audience. Storytelling is a big aspect of weaving. We discover that when we demonstrate the art of weaving, we also learn to listen to the stories involved with weaving – our active listening skills are improved. In so doing, we are learning while we teach and demonstrate. The act of listening to our visitor’s stories is a large part of our “oral history.”
Clarissa’s child-size Chilkat robe now has eyes – to be able to see out into her world…as she now is able to “see” into her child-size robe. Although Clarissa has designed her robe, as she weaves along, she understands that the design of the robe is subject to change – during the course of a woven garment, things are felt, heard and “seen”, and sometimes it changes the course of history, and subsequently the design…
There is nothing quite like watching a weaving take its course. The texture of the weave does depend on the weaver’s skill, however, there are always other factors like the fineness of the warp (the yarns that hang down), as well as your particular mood that moment, that hour, that day.
Packed up, doing last-minute clean-up, and Celebration is over; and while it is true that the Teslin Celebration organizers invited us to come demonstrate Chilkat and Ravenstail weaving at this sweet cabin where great memories and connections were laid, already we lay claim to weave, spin and teach during the next Celebration 2015!–look out, we are returning!
Weaving also creates a certain kind of tension whether it be within us or without us – tension is an aspect of weaving; there are at least two,…tactile tension and psychological tension. Tension keeps us on our toes, it helps build up and it can also help let down. Living in close proximity with other weavers always causes a bit of tension; it’s natural. We learn to adjust to the various personality traits. We learn to tolerate. We learn to support. We learn to take care of one another and watch out for one another. We learn respect. We are always learning as we weave our webs.
Jul 27, 2013 | Adventures of Rear-Mirror Rissy, North Tide, To See or Not to See |
Mendenhall Glacier and Lake
First I gotta say that I apologize for not having posted photographs here that are not perfect scenery shots – they are not bright and totally in focus, they have parts of the airplane wing, and they are not breath-takingly astounding National Geographic material. I am far from being a professional photographer like my son or first boyfriend or the guy who takes shots of my ceremonial robes! I am just me taking snapshots for my blog, okay? okay. Glad I got that clarified.
the tidal flats and runway of the Juneau airport – you can see downtown Juneau in the background sandwiched between Mt. Roberts and Mt. Juneau range and an arm of Douglas Island
The photos on this blog entry is about my flight from Skagway to Juneau to Hoonah and back to Skagway again all in one day, all for a 5-minute presentation of a button robe that I designed and created for the Huna Totem Corporation’s 40th anniversary – they were hosting a celebration for their shareholders at Cannery Point in Hoonah. (Click here for blog entry on the only part of their celebration that I was able to attend.) During the same weekend that Huna Totem was having their celebration of their 40th year, I was in Teslin, Yukon demonstrating Chilkat weaving for three days with apprentices during their “Kus Te Yea Celebration 2013.” (click here for the blog entry on the “Weavers’ Cabin” in Teslin). Huna insisted that I come down and present the robe and explain the design, so I agreed to come down for the hour of the presentation because between 16 total hours of travel time, that was all the time I had in Hoonah. I drove from Teslin to Skagway, took a flight from Skagway to Hoonah via Juneau and then back again, like I said, all in one day.
Mendenhall Glacier, Lake and River – and the main road you see down there is Mendenhall Loop Road
Mendenhall Lake and Glacier
Herbert Glacier
Echo Cove to the right, and Berner’s Bay to the left
Davidson Glacier
The flight from Juneau to Haines was phenomenal; the pilot took us on a scenic flight of the local glaciers in the Juneau area: the Mendenhall, Herbert and Eagle; he flew over Berner’s Bay, then across Lynn Canal up towards the mouth of the Chilkat River just south of Haines – then we flew UP the Davidson Glacier, flew around the back side of the front range of the Chilkats and then DOWN Rainbow Glacier, passed Paradise Cove (where I once had land to build my dream home), over Pyramid Island and then landed at the Haines airport – Holy what a flight!!!
When we flew up Davidson I cried I was so happy I unbuckled my seat belt and looked out both sides of the plane’s window; I just love this land, I love the Chilkat range, I love the Chilkat river; I so be-long here! I swear that when I die, I want my ashes spread up and down these Chilkat glaciers and at the mouth of the Chilkat River and at Paradise Cove!
Ice fields behind Davidson Glacier
Rainbow Glacier is a “hanging” glacier – this is the front view with a waterfall — it was hard taking a shot of the Glacier when we were actually flying over it! And besides that, I couldn’t stand still long enough to take a shot because I was enjoying the view in any given moment as it was changing so quickly as you can imagine!
Peaks of the Chilkat Range — I have not educated myself to know their names so I gave them names of my own: Rissy’s Peak, Shanks’ Point, Rizal, etc.
Such an awesome flight I took a photo of the plane!
Flying into Skagway
Flight Dog – He never made a sound; it was as if he was a flyer all his life, though I placed my hand on him several times because he was shaking, so maybe this was his first flight and he was just silent about his fears…some of us are like that, you know….
By the time I arrived in Skagway, it was 7pm (that’s 8pm Yukon time). I realized I had been to heaven and was still flying high! Thank you to the pilot for giving us that extra few minutes of flight time; thank you soooo much!
Jul 15, 2013 | Adventures of Rear-Mirror Rissy, Honoring Others |
Teahonna James weaves under the white “artists” tent at the Atlin Music Festival July 12, 13, & 14, 2013
I thank Louise Gordon who invited us to come to Atlin; she asked us to set up our looms under one of their art demo/class tents. I had heard of this festival since it’s inception over 20 years ago; I heard the excellent music by excellent musicians and the art and food, in a land of rare beauty. We were fortunate to experience all these things. I had wished I made my way to this heaven earlier. Though now I have walked this land and breathed it’s air and soaked up its light, I have a bit of Atlin in me and I know I can and shall return.
Crystal and Vanessa weave on their child-size Chilkat robes demonstrating during the Atlin Music Festival 2013 in Atlin, British Columbia, Canada
We have been in Whitehorse for almost 4 weeks; the first week we attended the Adaka Festival and we attended a Chilkat and Ravenstail weaving class was taught by Ann Smith and Clarissa Rizal. Please visit the blog entry about the class (click here) and the Adaka Festival (click here). At the Adaka opening ceremonial event, we created the “Weavers’ Dance” (click here) to honor the woven robes in both Ravenstail and Chilkat.
A better view of Vanessa weaving her child-size Chilkat robe
Find out more about the Atlin Music Festival in Atlin, British Columbia, Canada, please visit their website at: http://www.atlinfestival.ca/
Campers, camper vans, RVs of all sizes, from a variety of states and provinces, congregate in this big open field near downtown Atlin.
I have to admit, surprisingly I felt kind of out of place in Atlin. Though it reminds me of old Juneau in ways and definitely familiar mountains, lakes, and trees, the place seems like an old Hippie-ville – a place where old hippies reside and where young hippies who are not quite retired go to visit and wish they could live there but cannot afford it because lack of “normal 9 to 5 income. Does this mean that I don’t see myself as a hippie? Yes.
I cannot say I’ve ever seen anything like this house except maybe the Egyptian Palace in Las Vegas, Nevada. Like where else are we gonna find a pyramid house? A hippie house.
A portion of the near-waterfront is designated for tent campers – of course there are young folk; some brought their dogs.
A lemonade stands on the hill above the lakeside performance tent catering to thirsty passer-byes in the warm weather.
Hawksley Workman (wearing the hat) performed several times during the Atlin Music Festival – he was my favorite act because the way I see it, he naturally moves from his heart and I could see this by the way he naturally stood with his chest “leading” out from his body as his voice reached up and out powerfully to the mountains and back. Fun, superb performer.
In a dirt parking lot on the side of the road, I saw a crowd of about 20 huddled around a table – I stopped in my tracks and wondered what was going on. One of my most favorite surprises was to run into Michelle Genest and her husband Hector. I had first met Michelle not just a month prior on the ferry from Juneau to Skagway; she was intrigued with the Chilkat weaving. She had introduced herself as a writer and cook; little did I know that she was a fantastic writer and just as well, cook!
Chef Extraordinaire and writer Michelle Genest flips a few more sourdough pancakes cooked with high-bush cranberries while festival goers taste her cuisine
Michelle served us up with these made-from-scratch high-bush cranberry pancakes topped with spruce tip syrup — absolutely fabulous first thing in the morning breathing fresh, crisp air. Clean fresh air makes all the difference in the way food tastes; people don’t know this unless they experience clean fresh air like Atlin.
I bought her latest book “The Borealis Gourmet” Adventures in Northern Cooking featuring Yukon’s indigenous, flavorful boreal ingredients. She and Hector were on their “tour” of Yukon wild-harvesting fruits, saps, herbs and veggies – setting up their elegant camp kitchen that they tuck back into their little silver sporty-looking Honda (or was it a Toyota?)
Notice my new red Bogs bought from Shoefly store in Juneau: the latest in technological footwear makes me feel like I am wearing a pair of very warm, waterproof moccasins – I bought them specifically for being outdoors on beaches collecting seaweed for garden mulch, or picking the nagoon berry fields, or running a wet, smooth firm beach, or jumping puddles! Note: I did not say that I would use them on cement in the city.
Two of my favorite books: “The Borealis Gourmet” by Michelle Genest and a great companion to this Northern cookbook, “The Borealis Herbal” – Wild food and medicinal plants of the North by Beverly Gray
For those of you who are harvesters of wild foods and herbs in Yukon and Alaska, and you like to cook, these are the two books for you! Now that I am no longer tied down with the schedules of child-rearing with the school system time-frame, I can run around in the mountains, bogs, woods and the beach harvesting food! It’s fabulous. Being on the land and sea harvesting one’s food, getting fresh air and exercise is a very grounded spiritual existence. It is what indigenous people always refer to as “our way of life.”
Jul 1, 2013 | Adventures of Rear-Mirror Rissy, Honoring Others, North Tide |
Yukon festivities would not be complete without comedians Grandma Suzi and her boyfriend Cache Creek Charlie, aka Sharon Shorty and Duane Aucoin from Whitehorse, Yukon Territory
Crystal and I stumbled across Yukon’s Adaka Festival last year when we took a three-day jaunt to Whitehorse. We were so pleasantly and enthusiastically surprised by all the festivities at the event that we made it a point to attend for the entire week this year, though with the intention that we would bring other Chilkat and Ravenstail weavers with us – and that we did!
Entrance to the Kwaanlin Dun Cultural Center on the banks of the mighty headwaters of the Yukon River in Whitehorse, Yukon Territory
This festival was held June 21 through June 27, 2013. The Adaka Festival is kind of like the Alaska Folk Festival in that it runs for a week, it is entirely free, it consists of talented performers, teachers, artists, supporters, volunteers and administrators all coming together to pull off this huge event! Though one of the main differences is that the artists, performers and teachers are all First Nations people mainly from Yukon, some from British Columbia, elsewhere in Canada, and a couple of ’em from Alaska (I being one of the two.)
Yukon Jack (and his band) are a long-time favorite of Yukonians – they played some of my most favorite spaghetti westerns, ballads and western rock-n-roll !
The performers are all First Nation professionals working in contemporary and traditional genres including rock n-roll bands, traditional song and dance, fiddlers, rap singers, soloists and R&B, just to name a few.
There were daily workshops including but not limited to, drum-making, carving a paddle, Chilkat and Ravenstail weaving, skin-sewing, beadworking, mocassin-making, and singer-song writing.
Check out Adaka’s website for more information and lots of pictures.
Female members of the local Native dance group, Dahka Kwaan, led by Marilyn Jensen originally from Carcross, Y.T.
I am amazed at the amount of talent that is up in this Northern part of the continent, and that there is even a Native event like this. Do we have a Native event that comes close to this in Alaska? I don’t know. Maybe the Native Arts Festival held in Anchorage and the one held in Fairbanks – but are those still happening? (Sorry folks, we cannot compare this event to the Alaska Federation of Natives – that’s like comparing apples to oranges…!)
William Wasden, a traditional singer and composer from Alert Bay, B.C., graced the audience with his booming voice and strong presence.
This event is unique, that’s all there is to it. I wouldn’t travel all the way from Alaska (or even Colorado for that matter), to attend this event on an annual basis, but folks, that’s what I intend to do. And someday when my grandkids are old enough, I’m taking them with me.
Joe Migwans instructs his students on how to glue the two ends of the hoop together
Using clamps to secure the glued seams…!
Much like Celebration and the Alaska Folk Festival, this event is like a big family reunion where friends, relatives and fellow artists and musicians come together annually and have a great time just being together!
Copper smith Brian Walker, weaver Ann Smith, Carver/silversmith Wayne Price and multi-media artist/weaver Clarissa Rizal pose for a “one-of-these-days-this-photo-will-be-famous” shot.
Come on out to the Adaka Festival next year always starting on June 21st; there is quite the mixture of old and new, young and old, rough and tough, and all that stuff! Mark it on your calendar for a time when the sun doesn’t set and nor do its people!
