Site Visit For Tlingit Artists Gathering

Mentor_Campfire

One of the most up-town covered, outdoor fire pit shelter seats approximately 150 people in a cozy, intimate setting

A little over 10 years ago, when Preston and I had been talking about putting together the first gathering of Northwest Coast Artists to be held during Celebration 2006 in Juneau, Alaska, he had mentioned Islandwood retreat learning center on Bainbridge Island, Washington State as a possible location.  He felt that the location of this beautiful retreat in a heavily wooded forest would  foster a networking of  life-long friendships, kindle collaborations, and create a very tight group of artists where we could truly focus on any art and cultural issues in a very real way.  10 years and 2 Northwest Coast Native artists gatherings later, we finally made it a point to visit IslandWood yesterday; it was obvious to me during this site visit why Preston insisted on IslandWood as the place for conducting next year’s gathering of Tlingit artists – the location of this retreat is astounding!

The purpose of this gathering of Tlingit artists is to establish a loose coalition of mentors to consciously create a mentorship “guide” for our younger generations so we continue to endorse our future artists in whatever field they work.

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The warmth of solid oak and maple dining room

There are five, dedicated, professional Tlingit artists who are at the helm of helping to organize this retreat.  They include:  Sue and Israel Shotridge, Donna Beaver Pizzarelli, Preston Singletary and myself.

At this time, Artstream Alaska and the Evergreen Longhouse are two organizations who will help sponsor this gathering.

We will be re-vamping the Artstream Alaska website where we will have information on the gathering.  The goal for website completion is by November this year.

In the meantime, although all of us work together on all aspects of organizing this gathering, we each have organically “fallen into our main roles.”   Sue and Israel works on cultural values and the administration, Preston works on fundraising, Donna gathers materials to eventually design and create the website, and during my travels, I have been networking and collecting names of Tlingit artists.

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Standing at the entry to Islandwood’s main hall, program coordinators L to R: Clarissa Rizal, Preston Singletary, Swil Kanim, Sue Shotridge (missing: Donna Beaver Pizzarelli)

At first we were going to invite any and all Northwest Coast artists from any background and tribe.  Then we got to thinking about the differences in some of the values and we thought the gathering will already be challenging enough with the variety of egos, that we would like to keep it simple.  We will be inviting only Tlingit artists for this gathering.  We envision other tribes will be inspired to create their own mentorship program for their next generations.

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The main lobby before the “Great Hall…”

IslandWood’s Story:

IslandWood is a nationally recognized outdoor learning center located across Puget Sound from Seattle’s urban center.  IslandWood’s mission is to provide exceptional learning experiences and to inspire lifelong environmental and community stewardship.  Each year, more than 25,000 people participate in IslandWood’s programs on the 225-acre campus and in communities throughout the region.  In addition to our school programs, IslandWood offers a graduate program in partnership with the University of Washington, summer camps, and community programs for children and adults.  Revenue from conferences and retreats and contributions from the community enable IslandWood to underwrite our outdoor education programs for children from low-income communities.

For more information on IslandWood, you may visit their website at:  www.islandwood.org

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Islandwood Program Director Christine welcomes the four of us to tour the small portion of the 250-acre landscape

As I mentioned earlier, Artstream Alaska will be our main sponsor for this project.  When the re-vamped website is launched by November 1st, we will be inviting selected Tlingit artists to check out all the information to see if they would like to participate.  We are inviting Tlingit artists based on their artistic merit, their involvement in the arts and culture and their obvious concern for the health and well-being of our people.

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Sue Shotridge and Preston Singletary walk one of the many paths through the woods on the Islandwood Retreat

Currently, the dates for this 3-day  Tlingit Mentorship Retreat is set for next year, September 16 through the 18th, 2016.  This will be a retreat.  We ask that each artist make a clear commitment all 3 days and nights.  We encourage artists to book any outside activities (i.e. visit family and friends in the Seattle area, shopping, sightseeing, etc.)  before or after the 3 days.

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Just outside Islandwood’s “Great Room”

Once the Artstream website is re-vamped and we’ve got our ducks in order (goal is November 1st), we will send out our invites to our Tlingit artists pointing them to read about our mission statement, the confirmed dates and times, the agenda of the mentorship project, the cultural leaders who will be helping to guide this 3-day event, and the list of artists who will be committing to attend this historical event.

Mentor_Plaque

Islandwood’s Welcome plaque just before the shed of many hand carts

Our space has a capacity limit of up to 50 artists.   The room and board is covered for each artist attending all 3 days.   At this time, we are seeking funds to help pay up to $250 (or less) for each artist’s travel expenses.  This will be invitation only, though we are open right now to receive names and contact info of anyone who you may know who fits the bill for a Tlingit mentor.

Stay tuned!

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Swil Kanim and Preston Singletary discuss the meaning of being a mentor

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Mentorship project coordinators L to R: Swil Kanim, Sue Shotridge, Preston Singletary, Clarissa Rizal

 

3rd Year Attending Heard Museum Indian Art Fair & Market

Israel & Sue Shotridge

Sue and Israel Shotridge enjoy one another; Clarissa Rizal’s “Chilkat Child” won Best of Class at the Heard Museum Juried Art Show, Phoenix, AZ – March 2015

Doing art markets alone is not as much fun, however if you get along with other artists who may want to do the show alongside with you, like Sue and Israel Shotridge, it’s so much more fun!  We had a blast!  This was their first year at the market; this is my third year.  We were two of 600+ Native American artists featured at the Heard Museum Native Art Fair and Market usually held the first weekend in March; this was the Heard’s 57th year.  Sue and I were not quite a year old when they first started this fair!  There were also a few other Northwest Coast Native artists at the Fair, though not many of us:  Dolly Garza, Diane Douglas-Willard, and Zoe Urness.

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Shotridges and Rizal combine their “gallery space” in each of their 10′ x 10′ booths at the Heard Museum Indian Art Fair and Market, March 7 & 8 – Phoenix, AZ, 2015

To be a part of the fair, the application process starts each year in July.  To qualify, you must be at least 1/4 Native American with proof of your CIB (Certificate of Indian Blood), there’s a $25 application fee, the largest, 10’x10′ booths are $500, you must provide a resume’, and 10 images of your best work within the last 3 years.  It’s easy for myself because I have established a large body of work over the past 39 years, though for emerging artists, the application process may be intimidating; however, keep your faith in yourself, put your best foot forward, and if you have nothing major to show for yourself, then get on the ball and produce some work before the Heard Museum deadline for application!  Get it together, step up to your plate that’s waiting to “feed” you!  It’s up to you!

ShotridgesArtBooth

Israel Shotridge drums and sings a clan song to an audience in his booth at the Heard Museum Native Art Fair & Market, Phoenix, AZ – March 2015

A select group of the booths at the Heard are 10′ x 10′.  The Shotridges and I took down the canvas wall that divided our booths; we wanted to be able to converse and especially have more light AND give buyers and opportunity to “step into our gallery.”  —-  These shows can be a lot of work.  It took three hours to set up my simple booth below.  It took three hours for the Shotridges to do the same.  Yet there is a simple pleasure in the accomplishment of making our space look inviting, and in our opinion, it really is like setting up a temporary outdoor “gallery.”

ClarissasArtBooth

Clarissa Rizal’s “little gallery” art booth at the Heard Museum Native Art Fair & Market, Phoenix, AZ – March 2015

Outside of winning ribbons and with the intent you will sell some work to help offset not only your costs but pay some of your bills for the next few months, one of the best parts (for me) about doing shows are the variety of people we meet from all walks of life and the invites to other shows and events, or invites to artist retreats or residencies, and not to mention the up-and-coming artists who look to you for guidance and advice.  Generally speaking, I think people like to be needed; it gives us another sense of self-worth!

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Recent glassblown pieces by Tlingit glassblower Preston Singletary at his annual art show held the same week as the Heard Art Market, at the Blue Rain Gallery in Scottsdale, AZ

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Jeremy Frey won Best of Show for his magnificent basket, Heard Museum Juried Art Show, March 2015

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Carver Israel Shotridge and Glassblower Preston Singletary

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Sue Shotridge takes a photo of the award-winning bentwood box carved by her husband, Israel Shotridge — Heard Museum Juried Art Show and Market – March 2015

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Clarissa Rizal and Sue Shotridge sport their cedar bark hats woven by Haida artist Merle Anderson – March 2015

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Beadwork close-up by beadwork artist Marcus Amerman – (I am partial to the Chilkat emblem in dead center!); Heard Museum Juried Art Show & Market, March 2015

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Marcus Amerman’s beaded “Smithsonian” piece at the Heard Museum Native Art Fair Juried Art Show, Phoenix, AZ – March 2015

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Adrian Wall’s sculptures in blown glass and stone at the Heard Museum Native Art Fair & Market, Phoenix, AZ – March 2015